Save Yourself a Cup of
Happiness (James Dean - William Weatherspoon) - 2:19
rating: **** stars Another highlight off 1968's "Greetings! We're the Monitors" album, 'Save
Yourself a Cup of Happiness' was the kind of track that would instantaneously
fill a dance floor. One of the late Richard Street's most impressive performances with Warren Harris, Maurice and Sandra Fagin providing delectable backing vocals. I'm guessing the stunning bass line was from James
Jamerson. YouTube clip (warning the sound quality isn't great). https://www.youtube.com/watch?v=paMkMf8Y2c8
Too
progressive to appeal to hard rock fans; too hard rock to appeal to
progressive fans ... Such was the fate for the short lived
Glencoe. 'Airport' stands as a great example of how these guys
simply fell in the early-'70s musical chasm between those different
genres. Shame since the song had everything you look for in a good
tune - catchy melody; sweet vocals, nice arrangement, and even a sly little
nod to The Beatles' 'Hey Bulldog'. It was tapped as a UK single:
-
1972's 'Airport' b/w 'It's' (Epic catalog number S EPC 1187)
I'm Gonna Miss You (Marvin Smith - Jesse Bolian - Larry Johnson)
- 2:35
rating: ***** stars Their
only top-10 hit, the title track was simply a soul classic.
Mesmerizing on every level with a melody that was instantly memorable.
With Smith on lead it's always reminded me of what The Temptations would
have sounded like if they'd decided to record a Beach Music tune.
Guaranteed to make you smile. In 1999 a bunch of Northern Soul fans
arranged for a brief reunion between Johnson, Smith and Thomas. The
trio were recorded singing this tune for a Northern Soul DVD project 'The
Strange World of Northern Soul". The performance was quite good;
particularly given they were no long young men, but then they may have been
lip synching. You can check it out yourself: https://www.youtube.com/watch?v=dO8hk5pgh6M (I think the line up left to right reflects Curt Thomas, Marvin Smith, and
the late Larry Johnson).
"Pot Can't Call the Kettle Black" (Walter Williams - Eddie Levert - Terry Stubbs - Dwayne Mitchell) - 4:28 **** 4 stars 1989's "Serious" had to be one of The O'Jays' dullest albums. Boring songs; hideous '80s production sound, and flat, unenthusiastic performances from what was one of America's best soul groups. BUT, buried in the wasteland was 'Pot Can't Call the Kettle Black". Maybe because it was written by members of the group, the result was a classic O'Jays performance. You could almost hear Eddie Levert, Sammy Strain, and Walter Williams smiling as they cruised through this one and even though there were plenty of those horrible '80s production effects, the song was so good, you didn't notice the syndums, synthesizer washes, and stutter effects. Those harmonies are ... sweet, sweet, sweet. For anyone interested, YouTube clip of the song: https://www.youtube.com/watch?v=TEMJdgWmIBU
Come Rain or Shine (C.P.
Spencer - Frank Gorman - M. Ragin) - 2:51 rating;
**** stars
The
breezy, shag ready, radio-friendly
'Come Rain or Shine' was easily the standout performance on 1972's "Definition" LP. As the album's lone original composition, given the
caliber of the song, you had to wonder why The Originals weren't allow to record
more of their own material. Here's a link to a YouTube clip of the song: https://www.youtube.com/watch?v=FwA9AA5YRJ4
Lonely City (Rick Fahey)
- 4:20
rating: **** stars Off their criminally overlooked 1977, self-titled album, 'Lonely City' showed the band could
toughen up their sound without losing their penchant for great
melodies. Hate Nick Longo's rhythm guitar riff on this one since you
can't get it out of your head. Here's a link to a YouTube clip of the song: https://www.youtube.com/watch?v=E_1zGZY3wZo
Time Is Passin' By (James Dean
- William Weatherspoon) - 2:50
rating: **** stars I think The Monitors may have
recorded it earlier. Starr's version didn't stray too far from their
version, but the combination of the instantly catchy melody; cute lyrics; killer
bass line, and Starr's simmering voice made this one of the album
highlights. Another track should have been a massive single for the man. Here's a link to one of the YouTube audio clips of the song: https://www.youtube.com/watch?v=4M1hEg4yOjIgle for Starr.
Move On Up (Curtis Mayfield) - 8:50 rating:
***** stars Classic
Mayfield !!! One of his most inspirational performances and simply
impossible to sit still through. The way he swept into the falsetto
refrain was mesmerizing. When I don't understand the things going on around me, or when things look rough, this always lifts me up. Probably the best live performance is
from an appearance on the German Beat Club television show: https://www.youtube.com/watch?v=bN8Z5BQW8So Obviously recorded later in his career (apparently for another German
television performance), the band intro went on and on and on with the
synthesizers being a poor substitute for the original horn arrangement, but
still an impressive live performance:https://www.youtube.com/watch?v=Jo50otY1nLI The track was tapped as an international single:
7" format -
1971's 'Move On Up' b/w 'Underground' (Curtom catalog number CR 1974) 12" format -
1988's 'Move On Up' b/w 'Little Child Running Wild' and 'Move On Up' (live)'
(Curtom catalog number 12 CUR 101)
Never Know What You Can Do (Give It a Try) (Leroy Hutson -
Michael Hawkins) - 3:57
rating: **** stars Sporting
a nifty melody and a set of upbeat, self-empowerment lyrics that Curtis
Mayfield effortlessly tossed off, 'Never Know What You Can Do (Give It a
Try)' would not have sounded out of place on an Impressions
album. Leroy Hutson's dry, snarling voice seldom sounded as good as on this
track. The taunt strings and horns arrangement sounded like it was part of the Shaft soundtrack. Nice pick as a single, thought it should have been a much
bigger hit.
Another highlight off 1968's "Greetings! We're the Monitors" album, 'Save
Yourself a Cup of Happiness' was the kind of track that would instantaneously
fill a dance floor. One of the late Richard Street's most impressive performances with Warren Harris, Maurice and Sandra Fagin providing delectable backing vocals. I'm guessing the stunning bass line was from James
Jamerson. 
Their
only top-10 hit, the title track was simply a soul classic.
Mesmerizing on every level with a melody that was instantly memorable.
With Smith on lead it's always reminded me of what The Temptations would
have sounded like if they'd decided to record a Beach Music tune.
Guaranteed to make you smile. In 1999 a bunch of Northern Soul fans
arranged for a brief reunion between Johnson, Smith and Thomas. The
trio were recorded singing this tune for a Northern Soul DVD project 'The
Strange World of Northern Soul". The performance was quite good;
particularly given they were no long young men, but then they may have been
lip synching. You can check it out yourself:
1989's "Serious" had to be one of The O'Jays' dullest albums. Boring songs; hideous '80s production sound, and flat, unenthusiastic performances from what was one of America's best soul groups. BUT, buried in the wasteland was 'Pot Can't Call the Kettle Black". Maybe because it was written by members of the group, the result was a classic O'Jays performance. You could almost hear Eddie Levert, Sammy Strain, and Walter Williams smiling as they cruised through this one and even though there were plenty of those horrible '80s production effects, the song was so good, you didn't notice the syndums, synthesizer washes, and stutter effects. Those harmonies are ... sweet, sweet, sweet.
Lonely City (Rick Fahey)
- 4:20
rating: **** stars
