"Pot Can't Call the Kettle Black" (Walter Williams - Eddie Levert - Terry Stubbs - Dwayne Mitchell) - 4:28 **** 4 stars
1989's "Serious" had to be one of The O'Jays' dullest albums. Boring songs; hideous '80s production sound, and flat, unenthusiastic performances from what was one of America's best soul groups. BUT, buried in the wasteland was 'Pot Can't Call the Kettle Black". Maybe because it was written by members of the group, the result was a classic O'Jays performance. You could almost hear Eddie Levert, Sammy Strain, and Walter Williams smiling as they cruised through this one and even though there were plenty of those horrible '80s production effects, the song was so good, you didn't notice the syndums, synthesizer washes, and stutter effects. Those harmonies are ... sweet, sweet, sweet.
For anyone interested, YouTube clip of the song: https://www.youtube.com/watch?v=TEMJdgWmIBU
Come Rain or Shine (C.P.
Spencer - Frank Gorman - M. Ragin) - 2:51 rating;
**** stars
The
breezy, shag ready, radio-friendly
'Come Rain or Shine' was easily the standout performance on 1972's "Definition" LP. As the album's lone original composition, given the
caliber of the song, you had to wonder why The Originals weren't allow to record
more of their own material.
Here's a link to a YouTube clip of the song: https://www.youtube.com/watch?v=FwA9AA5YRJ4
Lonely City (Rick Fahey)
- 4:20
rating: **** stars
Off their criminally overlooked 1977, self-titled album, 'Lonely City' showed the band could
toughen up their sound without losing their penchant for great
melodies. Hate Nick Longo's rhythm guitar riff on this one since you
can't get it out of your head.
Here's a link to a YouTube clip of the song: https://www.youtube.com/watch?v=E_1zGZY3wZo
Time Is Passin' By (James Dean
- William Weatherspoon) - 2:50
rating: **** stars
I think The Monitors may have
recorded it earlier. Starr's version didn't stray too far from their
version, but the combination of the instantly catchy melody; cute lyrics; killer
bass line, and Starr's simmering voice made this one of the album
highlights. Another track should have been a massive single for the man. Here's a link to one of the YouTube audio clips of the song: https://www.youtube.com/watch?v=4M1hEg4yOjIgle for Starr.
Move On Up (Curtis Mayfield) - 8:50 rating:
***** stars
Classic
Mayfield !!! One of his most inspirational performances and simply
impossible to sit still through. The way he swept into the falsetto
refrain was mesmerizing. When I don't understand the things going on around me, or when things look rough, this always lifts me up.
Probably the best live performance is
from an appearance on the German Beat Club television show: https://www.youtube.com/watch?v=bN8Z5BQW8So
Obviously recorded later in his career (apparently for another German
television performance), the band intro went on and on and on with the
synthesizers being a poor substitute for the original horn arrangement, but
still an impressive live performance:
https://www.youtube.com/watch?v=Jo50otY1nLI
The track was tapped as an international single:
7" format
-
1971's 'Move On Up' b/w 'Underground' (Curtom catalog number CR 1974)
12" format
-
1988's 'Move On Up' b/w 'Little Child Running Wild' and 'Move On Up' (live)'
(Curtom catalog number 12 CUR 101)
Never Know What You Can Do (Give It a Try) (Leroy Hutson -
Michael Hawkins) - 3:57
rating: **** stars
Sporting
a nifty melody and a set of upbeat, self-empowerment lyrics that Curtis
Mayfield effortlessly tossed off, 'Never Know What You Can Do (Give It a
Try)' would not have sounded out of place on an Impressions
album. Leroy Hutson's dry, snarling voice seldom sounded as good as on this
track. The taunt strings and horns arrangement sounded like it was part of the Shaft soundtrack. Nice pick as a single, thought it should have been a much
bigger hit.
-
1976's 'Never Know
What You Can Do (Give It a Try)' b/w 'In the Mood' (Curtom catalog number
CMS 0137
YouTube clip: https://www.youtube.com/watch?v=TAO2SFOllYc
)
I'll readily admit I haven't listened to a song by the band Wax (the late Andrew Gold and Graham Gouldman) since the late-'80s (has anyone ?). I didn't even realize they'd released a fourth studio album - 1989's "A Hundred Thousand in Fresh Notes". Part of my ignorance can be blamed on the fact the collection didn't see a US release.
My recollections of Wax were of two talented pop craftsmen how knew their way around a catchy melody and who knew how to blend their voices into a highly commercial package. At the same time, their sound was way '80s and hasn't aged particularly well.
Against that backdrop the song 'Maybe' recently caught me ear. While the song has that '80s production feel, Gold's voice was instantly recognizable; wrapped around a melody that grabbed you by the throat and simply wouldn't let go. Their harmonies were too-die-for and the Bacharach-and-David styled horn flourishes were simply icing on the cake. This was the kind of tune 10cc always dreamed about writing.
Here's a YouTube link to let you judge for yourself:
https://www.youtube.com/watch?v=6E4z4AhCrro
